The project mainly starts from two aspects: culture and aesthetics. Poetry expresses the landscapes and humanistic emotions of Jiangnan, and the millennium inheritance conveys the breadth and depth of Chinese culture to us, precipitating a unique Eastern Wumen aesthetic. Integrating contemporary aesthetics with Eastern Jiangnan culture, allowing design to break through external forms, return to spiritual culture, and experience the simplicity of fireworks in a poetic and picturesque environment.
The structure of this building is divided into two floors, with a pistol shaped spatial structure that combines with the surrounding environment. The designer imagines the interior as a traditional Soviet style garden, with hidden mountains and water, winding paths leading to seclusion, borrowing scenery to create paintings, and moving towards different landscapes. The space forms twists and turns, endowing it with a dynamic beauty of Jiangnan, which is feasible, achievable, tourable, and livable.
